Thursday, December 19, 2019

Ren toothache inked in Illustrator

Ren toothache_inked in Illustrator
Ren Hoek - toothache_illustrator inked
As promised, here is an overview of my inking, using illustrator for the above Mr Ren Hoek.
I have decided to do this in maybe a few posts. The reason is I wanted to cover the following;

  1. How to make the brushes in illustrator. And where I learn't about the brushes (this post)
  2. How the brushes actually operate in illustrator and some other helpful pointers
  3. The thinking and planning behind line weight in your inking
I cannot go further without giving credit to an artist called Andy Griffiths. It was at his website (Toonskool.com) that I found his tutorials on inking and the subsequent brushes to create for inking in illustrator. Unfortunately at the time of writing this post, his YouTube channel and the Toonskool.com site are not available. Which is a real shame. It looks like the only online presence I could find of Andy is on Facebook, Toonskool. Hopefully he will come back online soon.

Creating x3 brushes for inking in Illustrator

Essentially these x3 brushes do the major lifting for the above inked piece.

Name: Thin-fat-thin brush

In Illustrator, do the following;


Choose the ellipse tool, choose fill (black) and stroke to none.
Drag the ellipse out until you get a slightly elongated shape.
Make the shape as thick as your stroke will be (see below image).
Drag the shape just created into the brushes palette
Choose create new art brush

In the dialogue box choose 'tint'. This allows you to change the color if need be (see below).

Next, double click on the brush tool (Paint brush tool) to bring up Paintbrush tool options. These below options are what Andy uses for the brush. This deals with the smoothing of the brush.



Congratulations!!! First brush is now created. See below image for what it can do.
Please note: This technique of inking does not depend on a pressure-sensitive tablet. You simply draw a line and illustrator tapers thin to fat to thin - hence the name of the brush. 

You can also control the thickness of the overall stroke once you have laid it down by going to the stroke palette. This is another great feature for inking in illustrator. See below image for stroke palette dialogue box.


Name: Flat end brush

In Illustrator, do the following;

Use the pen tool to make a triangle shape.
Like the previous brush keep it small in size and keep the triangle shape straight.

Fill black stroke to none.

Next drag this into the brushes palette and apply the same settings as in first brush above (choose tint/ and then tolerance and smoothness).

See below image for final brush effect


Name: Double blunt end brush

In Illustrator, do the following;

Choose pen tool and create this type of shape.


Next drag this into the brushes palette and apply the same settings as in first brush above (choose tint/ and then tolerance and smoothness).

See below image for final brush effect

Save x3 brushes to Brush Library

To save the brush, select the brush and then choose Save Brush Library from the Brushes panel menu. A window will appear - navigate to the Brushes library of illustrator. You can create a folder also and name it specifically. Once you click save - done.
Next time you start illustrator the brushes will be there to use. 
If for any reason they can't be found you can also in the Brushes panel click on the 3 lined icon (right top side of panel), and from there choose 'Open brush library'. Here you will see a list of brushes - and the set you created.


Next post: 
How the brushes actually operate in illustrator and some other helpful pointers.

Wednesday, December 18, 2019

Structure Lesson - Jim Soper

I found this very informative great little lesson on 'Structure' on Jim Soper's blog. There is nothing more I wish to add that Jim doesn't explain already.
See link here Structure Lesson

Structure_1 Jim Soper

Structure_2 Jim Soper

Structure_3 Jim Soper

Structure_4 Jim Soper

Structure_5 Jim Soper

Structure_6 Jim Soper

Tuesday, December 17, 2019

Preston Blair: Drawing Course 1 - Construction / The head

From the words of John Kricfalusi himself, 'CONSTRUCTION' is the most important concept you need to understand. It's like sculpting your drawings'.

Lessons for the Present Blair course are found online here at John's Curriculum blog


**Besides the Preston Blair lessons there are a ton of other great tips and tutorials to be found on John's blog.

Screenshot of 1st lesson - the bear head. Image courtesy of Cartoon Brew via ASIFA - Hollywood Animation Archive, 2006.

Further instructions from John K:

Step 1-draw the form of your character first - a sphere, or a cranium or whatever the form looks like.

Step 2- Draw center lines through the form both vertically and horizontally-
wrap those lines around the form in the right place. Don't draw straight lines.
right through the center. Not to the side - be logical! DRAW SLOW AND CAREFULLY TO GET IT TO LOOK RIGHT.

WHAT ARE THE CENTER LINES FOR? not for decoration.

They are guide lines. We call them construction lines.
They help you place the features on the forms in the right place.
Place the eyes on either side of the line in the middle of the face.

MY HOMEWORK:

Preston blair lesson-construction of head
4 bear heads were done of which I liked the 4th head attempt the most. 
Note on this page the 1st bear I have drawn some lines that cross from the smile line to the outer cheek. These little lines have become very important for checking the form of the shape. Don't under-estimate this principle. I have used it many times since to check forms.
Preston Blair-bear head-shape
Checking form of a shape
After drawing the bear head, compare it to Preston Blair's drawing and note any differences on yours. Draw it again, trying to correct your mistakes from the first, second or however anymore drawings you do.

Preston blair-construction-bear head lesson 1
3rd bear head

My observations of 3rd bear head: I have done fairly well with the shape of the cranium. The interior shapes like the nose and smile line are bang on. Because I have made they eyes smaller than Preston's, it has then pulled my bear's eyebrows, eye mask and consequently, his ears forward. Or towards the left.
Also my bear's eyes are to straight on the horizontal plane. Whereas with Preston's, the eyes are on a more perpendicular angle. This can be seen more clearly with my pink bear in comparison to Preston's at very top.

4th bear head attempt. In my next attempt I have tried to correct the eye issue from the 3rd bear attempt. I have corrected this and also bought the ears more into the correct position. But unfortunately I have shortened the cranium at the back which has squeezed the life out of the little beasties cheeks.

Preston blair-construction-bear head lesson 1
4th bear head

5th and 6th bear head attempt. 

Preston blair-construction-bear head lesson 1
5th and 6th bear head
This lesson has been very challenging. I have since been continuing to re-draw the bear head often to get as close to Preston's as possible. And this has been on and off since starting back in 2017.
I am thinking that once I have mastered this beast, I will post it up again. Maybe even ink it up as well.

Friday, December 13, 2019

Ren Hoek with toothbrush

Ren and Stimpy

This image I created back in 2017, after watching 'Ren's toothache', eleventh episode of second season - The Ren and Stimpy show.
I just love this episode - absolute madness ensures.
There is also the Tooth Beaver whom chews on your nerve endings. That is such a great scene.

Will post up soon in my Lessons Learned tab the inked version of above Ren with some tips.

Wednesday, December 11, 2019

Art Lozzi passed away - Nov 4, 2019

Arminio (Art) Lozzi, passed away November 4th, 2019.
Obituary below from LA Times


October 22, 1929 - November 4, 2019 Arminio (Art) Lozzi passed away on November 4, 2019 in Athens, Greece, and is now resting in the arms of God. He was known for his artistic talent, generosity, compassionate spirit, love of family and sense of humor. He brought color and beauty to the interiors of Epirotiki Cruise ships and several Hilton Hotels. His animation talents will forever be seen in Hanna Barbera and Walt Disney cartoons. He will always be loved by all who knew him. He is survived by sister Aurica Lozzi Pollacchi, as well as several nieces and nephews. He was predeceased by his parents Guido and Elena Lozzi, and sisters Adele Lozzi Munoz and Lidia Lozzi Di Zoglio. Services were held in Athens, Greece, for friends of Arminio. His ashes are being sent to Redlands, CA, where his parents and sister are laid to rest. A Celebration of Life will be held where family members from coast to coast will gather to remember the precious memories and honor Arminio. His ashes final resting place will be with his parents.
Published in the Los Angeles Times from Dec. 6 to Dec. 7, 2019

Tuesday, December 10, 2019

Preston Blair - Animation

In March of 2017, first appearing on Facebook - John Kricfalusi sent a call out to all cartoonists. There was an attached PDF which showed how to do these '40's animated cartoons'.

The actual principles detailed were more just quick highlights. One of the highlights was on 'construction', specifically from the Preston Blair book 'Advanced Animation'. This book has since been re-released in a newer format, simply called 'Animation 1'. 

In my mind, if John Kricfalusi was recommending a specific book - he had my attention. And I had to get that book.

What follows are my homework examples with the lessons attached also.
I have also included web links that take you either to John K's site or Animation Resources, another great online site - specifically for the lessons.

Monday, December 9, 2019

Painting in Artrage 5

This is the final image created in Artrage 5
I vigorously laid down colors with the oil brush. For choosing colors I used the eye dropper tool on this below reference image. Apologies as I can't remember exactly where I found this image online.
I then chose the palette knife, flat edge, and blended the colors into each other. The settings of the palette knife you can find here in this below image.
The palette knife in Artrage 5 is really cool to use. You can get some really lovely textures. Also as far as digitally rendering goes, Artrage very much mimics a traditional look.

See the above background with my created Ren from Ren and Stimpy, Ren Hoek and toothbrush


Sunday, December 8, 2019

Filthy disgusting animal


Inspired by television series 'Ren and Stimpy' and animation artist legend John Kricfalusi. Both characters were inked in Illustrator. Background was done in Artrage 5. The speech bubble with text I had done in Clip Studio paint.